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Dichotomy

by Spark

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1.
The Fat Caps 01:00
2.
3.
4.
5.
6.
Sunday Jam 03:07
7.
8.
9.
Aqua c/ Sky 04:57
10.
Runaway Dog 00:57
11.
12.
In(the)Stuff 03:10
13.
14.
15.
Wake Up 02:20
16.
Thank You 05:00
17.
18.
19.
WORD 03:08
20.

about

Spark é meio hominídeo, meio maquineta. Meio 12", meio Serato. Meio sintetizador, meio bateria.

Completamente DJ, completamente produtor.

"Dichotomy" é o resultado de dois álbuns de que Spark produziu, um no seu computador portátil, outro dirigindo uma orquestra sinfónica, e que colidiram num acelerador de partículas providenciado pelo omnipotente Jinx. Spark proibiu-nos de catalogar o seu álbum com um género musical, mas diversos membros da Monster Jinx sugeriram "Sparkstepnbasshop" como definição para a sua sonoridade. Ou "Serralharia Hop". "Camiãocomlâminasepropulsoresajactostep" também teve muitos votos, tal como "Faíscaunk Espacial".

O conhecido vilão Duas-Caras já se pronunciou fã confesso.

Aviso: Desaconselha-se vivamente a audição de "Dichotomy" por parte de pessoas com problemas de bipolaridade.

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Spark is half hominid, half machinery. Half 12", half Serato. Half synthesizer, half drum kit. Completely Dj, completely producer.

"Dichotomy" results from the collision of two different albums that Spark produced, one in his laptop, another conducting a symphonic orchestra, in a particle accelerator provided by the label head Jinx.

Spark has forbidden us of giving his album a specific music genre, but many of Monster Jinx's artists suggested "Sparkstepnbasshop" as a proper definition. Or "Locksmiths Hop". "Truckwithbladesandjetpropulsorsstep" also proved popular, as did "Space Sparkunk".

The famous villain Two-Face already confessed to be a fan.

Warning: we strongly discourage people diagnosed with bipolar disorder from listening to "Dichotomy"

www.monsterjinx.com
www.facebook.com/spark.mj
spark@monsterjinx.com
spark.dichotomy.monsterjinx.com

credits

released November 17, 2010

Produção: Spark
Artwork: Min

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about

Spark Portugal

Spark was born in 1987, but it was not until around 2000 that the world knew him as a DJ. He is not, however, an outturn of a time as much as he is of a place. Or rather of a non-place – any non-place at all, since every one is equally overwhelming, grand in splendour and spectacularly uncharacterised. ... more

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